ScriptPhD.com is extraordinarily proud to present our first ever Science Week! Collaborating with the talented writers over at CC2K: The Nexus of Pop Culture and Fandom, we have worked hard to bring you a week’s worth of interviews, reviews, discussion, sci-fi and even science policy. We kick things of in style with a conversation with Professor Malcolm MacIver, a robotics engineer and science consultant on the SyFy Channel hit Caprica. While we have had a number of posts covering Caprica, including a recent interview with executive producer Jane Espenson, to date, no site has interviewed the man that gives her writing team the information they need to bring artificial Cylon intelligence to life. For our exclusive interview, and Dr. MacIver’s thoughts on Cylons, smart robotics, and the challenges of future engineering, please click “continue reading.”
No one has been more excited about the premiere of Battlestar Galactica prequel Caprica than ScriptPhd.com. We eagerly joined the cast and crew of both shows last May during their joint panel at the Los Angeles Paley television festival. We were also one of the first sites to review the Caprica 2 hour pilot. And now, at long last, one of the most anticipated sci-fi prequels ever will premiere on the SyFy Channel this Friday. ScriptPhD.com’s Bryy Miller reviews the first three episodes and talks about the show’s early conceptualization and long-term promise. We are also extraordinarily fortunate and proud to bring you an Editor’s interview with series executive producer and show runner Jane Espenson, in which she talks about what we can expect from Caprica. Please click “continue reading” for full content.
It seems like we just can’t seem to stop saying goodbye to Battlestar Galactica. Perhaps the defining science fiction show of my generation, BSG’s post-finale swan song has included a bevy of cast appearances, an issue of the complete series on DVD and Blu-Ray, a recent Bryan Singer-helmed feature film announcement, and now, an upcoming two-hour television movie event. Battlestar Galactica: The Plan takes viewers on a journey of the events that transpired two weeks before the Cylon colony attacks, and their subsequent war with the humans, all from the Cylons’ viewpoint. Compiled with a combination of new footage and key plot highlight clips over the course of the show’s run, The Plan is designed to be the ultimate retrospective with a different perspective. ScriptPhD.com review + trailer under the “continue reading” jump.
Greetings from hot, humid, Atlanta! I’m thrilled to be able to provide Dragon*Con four-day coverage on behalf of ScriptPhD.com. Dragon*Con is the largest multi-media, popular culture convention focusing on science fiction and fantasy, gaming, comics, literature, art, music, and film in the United States. I will be bringing you my take on the panels and events, with tons of coverage of Battlestar Galactica‘s final year of significant presence and panels, but with also incorporating some of Dragon*Con’s science and skeptic panels and other exciting happenings as much as possible. As during ScriptPhD.com’s coverage from Comic-Con there will also be a daily Dragon*Con costume of the day. Full coverage under the “continue reading” jump.
Greetings from sunny San Diego, California! The geekiest of the geeky have gathered at this oceanside oasis for a non-stop four day celebration of comics, television, film and gaming. As Comic-Con gets underway, we here at ScriptPhD.com hope that our comprehensive coverage gives you a slice of the action (especially pertaining to our forte, science and technology in entertainment) and that through our words and pictures, you feel as though you achieved Nerdvana right here with us. Today’s coverage kicks off with Warner’s highly anticipated motion comics panel, where they debuted world premieres of several motion comics and rounded up top talent in graphic novels to atlk about the direction of modern comics. From there, we will segue to some Battlestar Galactica nostalgia, courtesy of Richard Hatch’s popular yearly panel. This year was devoted solely to fan questions! Our press room coverage of popular shows Psych and Burn Notice will quell your burning curiosities about what’s in store for those shows, and we end the day with Discovery Magazine’s panel Mad Science: The Science of Science Fiction (co-sponsored with the Science and Entertainment Exchange), including writers from Fringe, Eureka and much, much more. We also have our first ScriptPhD.com Comic-Con Costume of the Day, a complete pictorial roundup on our Facebook page and insider interviews gallore from your favorite writers and actors! To read Day 1 coverage, please click “continue reading”.
Remember earlier this summer when ScriptPhD.com covered the Battlestar Galactica cast and crew’s appearance at the Paley Television Festival and promised you a very special look at the science of Battlestar in commemoration of the DVD box set release July 28th? Well, when we promise something, we deliver. ScriptPhD.com was proud and extraordinarily fortunate to sit down with Dr. Kevin Grazier, the man who made the FTL drive and Galactica’s space endeavors possible. In a candid, thorough interview, we talk about the physics of BSG, the inside secrets behind some of your favorite moments from the show, answer burning fan questions and address some of the controversy surrounding the series finale. Honest, witty, and informative, this is an interview you don’t want to miss! To read it, click “Continue Reading”.
From Battlestar Galactica creator Ronald D. Moore and writer Michael Taylor comes an exciting new science fiction thriller, the two-hour special TV movie event Virtuality. “Our goal was to tell a story outwardly very different from Battlestar Galactica,” Moore explains, “but similar in its intent to explore the human character in an extreme setting.” In this case, the extreme setting is the outer border of previously explored space aboard the modern, self-sustaining spacecraft Phaeton. Helmed by intrepid, determined Captain Frank Pike (Nikolaj Coster-Waldau), the original goal was a 5 year exploratory mission to look for intelligent life beyond Earth. Early into their mission, however, the 12-person crew learns that due to the catastrophic effects of environmental ravages and global warming, Earth will become completely uninhabitable in 100 years. They are humanity’s last hope to seek out another planet deep in the cosmos capable of supporting life. A perilous slingshot around Neptune will lengthen the mission to 10 years, and propel Phaeton towards the distant star Epsilon Eridani in search of a new home. But as the ship nears the point of no return, the crew must decide whether to retreat home to Earth or thrust deeper into outer space, and the unknown, to answer the ultimate question: go or no go?
Psychological impacts of long-term missions in constrained environments have been limited to two years or less. To assuage the crew emotionally during their extended mission, and to provide the only source of privacy aboard Phaeton, they are provided with virtual reality head modules, with which they may realize any fantasy or simulated environment. Some people become rock stars, climb the Himalayas, enact Civil War battles; others recreate the family they left behind on Earth. But the technology remains imperfect, unexplored, especially in relation to the human mind. Present throughout the virtual worlds is a malfeasant, mysterious green eyed man (Jimmi Simpson), whose existence and motivations remain unclear. Does the avatar represent a virus, the inner conflict of each individual’s sublimated psyche, or a sabotage of the mission by a larger force? No one is certain. The presence of this escapist alternative universe, and the turmoil experienced therein by the crew of 12, raises important psychological and technological quandaries. What is real? A virtual “affair” between Captain Pike and a married crew botanist (Sienna Guillory)? A virtual rape? Virtual mental torture, whether self-imposed or at the hands of the green-eyed man? Says Moore, “It’s in this nexus of reality and “virtuality” where our characters’ shared and private worlds collide that we intended to find the drama of the show.”
Indeed, Virtuality bears several trademark Ronald D. Moore stamps: great science, terrific characters, and humanity-driven conflict and desperation. While Battlestar Galactica’s primary science angle focused on Cylon artificial intelligence, in Virtuality, astrophysics, geology and astrobiology take center stage. Especially pertinent amidst NASA’s recent exploratory missions, the Phaeton module employs top of the line physics to propel itself to far reaches of outer space, while self-contained greenhouses and laboratories analyze evolutionary life origins and biological compositions of space. Colorful characters abound on the Phaeton crew, including lead navigator/designer with a painful past Jules Braun (Erik Jensen), aggressive, self-destructive pilot Sue Parsons (Clea DuVall), paraplegic, self-doubting co-pilot Jimmy Johnson (Richie Coster), gay couple Val Orlovsky (Gene Farber) and Manny Rodriguez (Jose Pablo Cantillo) providing an infusion of hope and optimism, and married astrobiologists Kenji Yamamoto (Nelson Lee) and Alice Thibadeau (Joy Bryant) debating the pros and cons of raising a child aboard the confined ship. Compounding the stress and importance of Phaeton’s mission are your basic everyday problems: the ship’s only doctor (Omar Metwally) has Parkinson’s Disease, there aren’t enough medical supplies to sustain a ten-year mission, an escalating conflict of personalities and strategies between Captain Pike and his co-pilot, and the rampant obliteration of Earth by natural disasters. As he did in Battlestar, Moore does an exemplary job of using the scientific questions of our time as a platform to probe deeper into the meaning of life, humanity, and the ethical limits of an imminent fight for survival.
The most attractive aspect of Virtuality is how hip, modern and current it feels. With sleek, bright sets, fast-paced camera action from director Pete Berg, and gorgeous computer generated imaging of outer space and the virtual reality scenes, the show departs visually from the austerity that is often a sci-fi staple. It is also a shrewd, tongue-in-cheek satire about our obsession with “celebrity” against the backdrop of an all too plausible environmental reality here on Earth. The action aboard the Phaeton is being broadcast back on Earth as the most popular reality show of all time, “The Edge of Never,” being seen by billions every week. Orchestrated by Dr. Roger Fallon (James D’Arcy), whose simultaneous roles as reality show producer and on-board psychologist come into conflict, the show combines the drama of Earth’s impending doom and the search for other habitable planets with our modern televised voyeurism. Hosted by the well-meaning but invasive Billie Kashmiri (Kerry Bishé), the show meticulously follows every facet of the crew’s quotidian existence, complete with ubiquitous cameras throughout the ship, Big Brother-style confessional rooms, and manufactured conflict to entertain the masses. Combining Star Trek and The Hills, Virtuality adds yet another layer to the confounding question of what is real, what is virtual, and where the twain shall meet. All of this action and philosophy culminates in a shocking surprise twist that you will never see coming. It will test the sense of trust and camaraderie aboard the vessel, raise questions about the boundaries of escapism in a virtual world, and put in danger the crew’s psychological capacity for their ten-year mission in outer space.
As wonderful and suspenseful of a setup as the Virtuality pilotTV movie is, it does not necessarily augur well for its prospects of a series pick-up. It was not announced as a part of Fox’s upcoming fall schedule (a schedule brimming with scientific content such as Fringe, Dollhouse, Bones, House and Lie to Me), but Ronald D. Moore has not ruled out the possibility, saying that “Fox executives have never said “It’s over”” and that the two-hour movie had always been designed as a pilot. Nevertheless, despite their long history of fascination with science fiction, FOX has also managed to prematurely cancel some of its brightest gems in the genre, including Space Above and Beyond, Wonderfalls, and Firefly. So if you are passionate about Ronald D. Moore’s shows, and the presence of sophisticated, complex sci-fi that explores important existential questions, watch Virtuality on Friday night, and then get vociferious and get involved. Never underestimate the power of bloggers and fans to effect change. At last year’s Comic-Con, I personally witnessed the inception of pre-emptive petitions to rescue Dollhouse, which had not even aired a single episode. The result? It’s been renewed for a second season. If you like the show, write to FOX. Who knows? You could help turn Virtuality into a reality.
The Virtuality 2-hour movie premieres this Friday night, June 26th, at 8 PM ET/PT on FOX.
Incidentally, coming in July, we will be interviewing Dr. Kevin Grazier, the brilliant physicist who has acted as science advisor on Virtuality, Battlestar Galactica, and Eureka as a part of our celebration of the release of the BSG series box set and Comic-Con 2009. Stay tuned!
I’m honored to be joining ScriptPhD.com as an East Coast Correspondent, and look forward to bringing you coverage from events in such exciting areas as Atlanta, Baltimore, and New York City – as well as my hometown of Washington, DC.
And to that end, here is a re-cap of the World Science Festival’s panel “Battlestar Galactica: Cyborgs on the Horizon.” For anyone interested in the intersection of Science and Pop Culture, I cannot promote this event enough. In addition to the panel I’ll be describing, some of the participants included Alan Alda, Glenn Close, Bobby McFerrin, YoYo Ma, and Christine Baranski from the entertainment sector. Representing science were notables like Dr. James Watson (who along with Francis Crick was the first to elucidate the helical structure of DNA), Sir Paul Nurse (Nobel Laureate and president of Rockefeller University), and E.O. Wilson (who is celebrating his 80th birthday in conjunction with the festival).
However, it’s time to return to the subject of this post – BSG and Cyborgs. To read more about the discussion at the intersection of science fact and science fiction, please click “Continue Reading”.
Remember back during our complete coverage of the Battlestar Galactica panel at the Paley Television Festival when I said that event would probably be the last significant gathering of on and off-screen talent from the show? Well, I may have been lyingpremature in my declaration. It’s no secret that in the annals of television history, Battlestar Galactica will rightfully take its place as one of the most sophisticated, abstruse, demanding, and thoughtful shows to ever grace the silver screen. No issue or hot-button topic was off-limits to the writers: war crimes, torture, genocide, abortion, religious conflict, human rights, the rule of law, anarchy, the very essence of humanness. Though an action-adventure space opera to its core, BSG integrated storylines eerily germane to the times we live in, and transcended its medium in the process.
In recognition of these tremendous achievements, and in a television first, the United Nations hosted an invitation-only panel back on March 17th in the hallowed Economic and Social Council Chamber composed of UN representatives and officers, cast members Mary McDonnell and Edward James Olmos, and executive producers Ronald D. Moore and David Eick. As a pilot project for its Department of Public Information’s Creative Community Outreach Initiative, the UN hopes to partner more often with the international film and television industries to raise awareness and foster discussion of prevalent global issues. Unfortunately the first United Nations event took place at their headquarters in New York and we had to miss it (sadly, the ScriptPhD is not yet bicoastal). But luckily for us, the United Nations partnered with the Sci-Fi Channel to host a West Coast rebroadcast from Hollywood Thursday night. As a part of the Los Angeles Times’s annual pre-Emmy Envelope Screening Series, LA Times writer Geoff Boucher moderated a panel that once again welcomed McDonnell, Olmos, Moore and Eick, and UN representatives Steven Siguero and Craig Mokhiber.
Amid a chorus of enthusiastic fans and “So say we all!”s, a lively and vibrant discussion ensued about torture, enemy combatants, race, and the upcoming Battlestar Galactica: The Plan TV movie event. ScriptPhD.com is proud to bring you complete coverage.
To read a transcript of the LA Times Envelope Battlestar Galactica Discussion Panel please click “Continue Reading”.
BSG and Caprica: A Look Back and a Look Ahead
On a recent sweltering evening in late April, the ScriptPhD ventured out to Los Angeles’s majestic ArcLight Cinema Dome, which was playing host to the tenth night of the 26th Annual William S. Paley Television Festival, a preservation and celebration of the very best the small screen has to offer. Each year, a handful of select shows are selected by the Paley Center for Media to screen an episode and engage in a question and answer session with onscreen and production talent. This year, writers, producers and actors from the recently completed epic space opera Battlestar Galactica, and its forthcoming prequel Caprica, delighted a small audience with a sneak peek at the Caprica pilot and a candid behind-the-scenes look at the creative process behind both shows.
Fans at the beginning of the line had queued up as early as 11 AM to witness what may be the last gathering of BSG cast and crew for quite a while, while others paid thousands of dollars for VIP after-party access to the cast and crew. Echoing the diverse fanbase that Battlestar Galactica was able to reach and appeal to, the crowd around me was composed of all ages, races, and genders, of the geeky, the giddy and the gaudy.
And speaking of geeky and gaudy, the evening’s festivities were moderated by actor Seth Green, sporting a rockin’ blue Mohawk and more than a tad bit of fanboy revelry. At times starstruck, at times nonsensical and at times spot-on hilarious, but always a bit too verbose, Green came across as a genuine, appreciative fan. Like yours truly, Green came onboard after two obsessivethrilling catch-up seasons on DVD, provided a two minute monologue about all the reasons to love BSG and why it rocked his world, and then, the evening really began. (I kid Seth Green, with love and affection. But seriously, for comparison’s sake, Kevin Smith, who moderated last summer’s Comic*Con BSG panel, infused the perfect mix of humor, awe and order into the Q&A while still allowing the panel to be front and center for the fans.)
As a preamble to the screenings and panel discussion covered below, the heart and soul of Battlestar Galactica, producers David Eick and Ronald D. Moore (I’ll let you decide who’s who), thanked the two people responsible for the success of bringing Caprica to the attention of Sci-Fi network, writer Remi Aubuchon and director Jeffrey Reiner. They then brought an always-refreshing bit of mayhem to an otherwise dignified event by kicking off Caprica’s first major screening with a few good-luck tequila shots from a flask (ohhhh these are MY kind of people!).
When the event planners said “A Look Back and a Look Ahead”, they weren’t kidding folks! Perhaps for the sake of nostalgia, or for the sake of making us appreciate just how far science fiction has really come, Caprica was pre-empted by a clip of the 1963 sci-fi series Outer Limits. The series, with a rotating cast each week, tackled everything from hard science, space travel, time travel, and human evolution as it tried to answer the question, “What is the nature of man?” Remind you of something? Thankfully this trip to Cheesy Bad Production Land was followed by a savory preview of Battlestar Galactica: The Plan, the Edward James Olmos-directed 2-hour movie event set to air in November of 2009. If you missed it during the series finale (like some of us who don’t subscribe to cable!) here’s a link to the YouTube version:
Finally, we were treated to a pre-DVD release screening of the Caprica pilot in its entirety. My pilot review may be found in a separate post. Caprica will start airing on the Sci-Fi channel in 2010. The pilot is available on DVD.
Click “continue reading” to find the only full, unedited, word-for-word transcript of the BSG/Caprica panel to be found on the internet. Until the Paley Center releases the DVDs of the event next year, the only place to truly find out what happened without missing a beat? ScriptPhD.com!