Who watches the Watchmen? A whole lot of people! One of the spring’s biggest breakout hits was director Zack Snyder’s cinema adaptation of the Alan Moore and Dave Gibbons classic 1989 graphic novel, Watchmen. ScriptPhD.com first caught up with one of the Watchmen screenwriters, rising star Alex Tse, during this summer’s Los Angeles Film Festival, and sat down with him recently to talk about the experience of working on the blockbuster. Before being contracted on the Watchmen project, Tse got his big break when his first script, Sucker Free City, was produced by Showtime Television and directed by Spike Lee. His current projects include a collection of sci-fi and comics screenplays, including the 1951 collection of science fiction short stories The Illustrated Man, the 2005 American thriller novel The Winter of Frankie Machine, the anime Ninja Scroll, and a film adaptation of the upcoming graphic novel Battling Boy by Paul Pope. Tse grew up in the San Francisco area before attending Emmerson College in Boston. Our full transcript under the “continue reading” jump.
Science fiction has served as fertile ground for exploring sociopolitical issues through allegory: war, oppression, prejudice, and even, on occasion, the human condition. Bet every so often, a sci-fi project comes along—Blade Runner, Children of Men, Terminator, Battlestar Galactica—that so compels and provokes, it transcends its own genre in the process. District 9 is such a film. When humans become responsible for the well-being of a population of aliens stranded over Johannesburg, South Africa, they must confront their full capacity for fear, cruelty and self-identity. With an unknown cast, a newcomer in writer/director Neill Blomkamp, and a low-profile movie locale, District 9 manages to outshine all releases thus far as the best film of 2009, and one of the best of its generation. For the full ScriptPhD.com review, please click “continue reading”.
When was the last time that you tuned into CNN in the midst of a developing global crisis and heard about the power of software technology? The more likely scenario is a cavalcade of jarring images—displaced children wading knee-deep in floodwaters, distraught earthquake victims climbing through the rubble of utter destruction, panic embodied in a sea of facemasks—coupled with desperate pleas for food, water, medical supplies, donations, and on-the-ground manpower. But how is information assessed and distributed to the humanitarian relief agencies and governments that converge on often under developed disaster zones? And who enables the logistics of distributing supplies where needed in the middle of chaos? Rarely, if ever, is enough credit given to the technology, web and software support that coordinates these efforts and makes them possible. Microsoft has been using technology to help respond to and manage the effects of natural disasters through its local impacted offices for many years, but in 2007, Microsoft Corporation formally launched a centralized Microsoft® Disaster Response program expanding its breadth and depth in reach to provide sustaining global coverage. For our full profile and exclusive sit-down interview with Program Director Claire Bonilla, please click “continue reading”.
ScriptPhD.com recently reviewed and recommended a new medical mystery thriller, “Beat the Reaper”, written by real-life medical doctor Josh Bazell. A longtime aspiring writer, Josh majored in English Literature with Honors at Brown University, after which he entered the English Lit PhD program at Duke. He ultimately chose to pursue a post-graduate degree in medicine at Columbia University, and completed his residency in the Department of Psychiatry at the University of California at San Francisco. He is currently working on his second book and is a practicing psychiatrist.
In between getting ready to release “Beat the Reaper” as a paperback, with a Leonardo di Caprio-starring film adaptation in the works, and writing his follow-up novel, a busy Dr. Bazell generously lent us some time to chat. To read our interview, please click “continue reading”.